|
Giovanni Battista Fasolo, O.F.M. (Asti, ca. 1598 Palermo after 1664), was a Franciscan friar, organist and composer. In his middle years Fasolo was primarily known for his 1645 organ annual, which, like ''L'organo suonarino'' of Adriano Banchieri, from the generation before him, was intended for use in small parish churches, and are much simpler than those used in Venice.〔Eleanor Selfridge-Field Venetian instrumental music from Gabrieli to Vivaldi 1994 p24〕〔Alexander Silbiger Frescobaldi studies 1987 p352〕 In 1659 Fasolo became ''maestro di cappella'' to the Archbishop of Monreale. Until recently many of G.B. Fasolo's secular works were attributed to other composers, particularly the Venetian Francesco Manelli,〔Ferrari-Barassi, E. 'La Luciata di Francesco Manelli: considerazioni su una perduta stampa della Biblioteca municipale di Breslavia, l'esemplare di un manoscritto berlinese e un componimento del Fasolo', Quadrivium 9.1970, p.211–42〕 the composer of the first commercial operas in music history, or to a third unknown composer known as "Il Fasolo?".〔Chilesotti, O. 'Musica del passato: Fasolo – Asioli' 1886, p.349–54〕 However following the work of Francesco Luisi,〔Luisi, Francesco. '"Il carro di Madama Lucia et una serenata in lingua lombarda": notes on the definitive attribution to Giovanni Battista Fasolo, in Seicento inesplorato, Lenno 1989, p.481–96〕 Mariangela Donà,〔Donà, Mariangela. Foreword to ''Giovan Battista Fasolo e la Barchetta Passaggiera'' Lucca, 1994〕 and Claudio Bacciagaluppi〔Bacciagaluppi, Claudio. 'G.B. Fasolo "Fenice de' musici ingegni"' in (Rivista internazionale di musica sacra ), 19/2 1998, p.5–66〕 the attribution of the major works under the heading "Il Fasolo?" to G.B. Fasolo is now reasonably secure, and listed under his own entry, by Eleanor Selfridge-Field, in the current ''New Grove.''〔Fasolo, G.B. In The New Grove dictionary of music and musicians, Volume 5 2001 p.76〕 ==Extant Works== *Op. 3 "Misticanza di Vigna alla Bergamasca; il Canto della Barchetta et altre cantate et ariette per Voce et Chitarra." Robletti Rome, 1627. Sole surviving copy was in the possession of Dr. Oscar Chilesotti in 1886. A facsimile of a single song "I bei guardi" from this collection is included in an article by Chilesotti- "Notes sur les tablatures de luth et de guitare" originally published in "Encyclopedie de la musique" ; edited by Albert Lavignac (1925). Part 1, vol. 2 : Italie - Allemagne, p. 636-684. This is particularly interesting because figures have been added to the guitar alfabeto symbols to indicate how the accompaniment should be strummed. Reproduced at (www.monicahall.co.uk/ ) The Baroque Guitar made Simple - Alfabeto songs. *''Il carro di Madama Lucia''. Rome, 1628 ( *attributed). *Aria - ''Se desiate, o bella'', 1629 ( *attributed). *Op. 6 Second Book of Motets for 2-3 voices, with a mass for 3 voices, Naples, 1635. *Op. 8 ''Annuale che contiene tutto quello, che deve far un Organista per risponder al Choro tutto l'Anno''; for organ, Venice, 1645. (263 pages of organ music!) *''Magnificat, Beatus vir'', a 5. ca. 1645.( *attributed) *Op. 9 ''Arie spirituali morali, e indifferenti'', 2-3 vv, with dialogues 3vv and two arias for solo voice. Palermo, 1659. 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「Giovanni Battista Fasolo」の詳細全文を読む スポンサード リンク
|